Directed by Ben Bolt, Harold Becker
Produced by Martin Ransohoff
Written by Clark Howard, Robert Roy Pool
Starring Matt Dillon, Diane Lane, Tommy Lee Jones, Bruce Dern, Lee Grant
Music by Michael Melvoin, Frank Fitzpatrick (Music Editor)
Cinematography Ralf D. Bode
Editing by Stuart H. Pappé
Distributed by Columbia Pictures
Release date(s) September 25, 1987
Running time 109 min.
Country United States
Language English
Box office $1,733,000

The Big Town is a 1987 film drama about a young man who comes to the big city to work as a professional gambler, in the process becoming romantically involved with two women—one of whom is already married. The film was directed by Ben Bolt and Harold Becker and it stars Matt Dillon, Diane Lane, and Tommy Lee Jones.

Main cast

Plot

In 1957, J. C. Cullen is a small-town crapshooter who heads to Chicago, Illinois to seek his fortune. There he becomes the pawn of two high-rolling professional gamblers, Mr. and Mrs. Edwards. He later gets mixed-up in a revenge scheme cooked up by Lorry Dane, the embittered stripper wife of strip-joint owner George Cole. Before he knows what’s happened, Cullen is embroiled in two torrid romances, one with Dane and the other with nice girl Aggie Donaldson; he also nearly loses his life by ending up in the middle of a deadly feud between Edwards and Cole.

Links

• The Big Town at the Internet Movie Database
• The Big Town at AllRovi

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Brewster MacWilliams
Produced by Robert Peters, Roy Winnick
Written by Brewster MacWilliams
Starring Frank Gorshin, Stanley DeSantis, Sam Anderson, Mike Genovese, Susan Traylor, Robert Dubac
Music by Colin Leese
Cinematography Arturo Smith
Release date(s) 1997
Running time 89 min.
Country US
Language English

After the Game is a 1997 film noir drama/mystery film starring Frank Gorshin, Stanley DeSantis, Sam Anderson, Mike Genovese, Susan Traylor, and Robert Dubac.

Directed by Brewster MacWilliams and produced by Robert Peters and Roy Winnick, the screenplay was written by Brewster MacWilliams.

The DVD, titled The Last Hand, was issued in 2004.

Synopsis

After the Game is a crime fiction murder mystery with a theme of “after the game of poker” and “after the game of life.” It deals with revenge, deceit, lust and greed, and explores karma and the afterlife.

Aging gambler Benny Walsh (played by Gorshin) dies in a suspicious car crash after the biggest poker win of his life. His son, Clyde (played by Dubac), comes to the Nevada town in search of answers. He discovers that each of his father’s gambling buddies had ample reason to see him dead.

Cast

Frank Gorshin as Benny Walsh
Stanley DeSantis as Frank Bertini
Sam Anderson as Jimmy Walsh
Mike Genovese as Sam Kowalski
Susan Traylor as Veronica Kowalski
Richard Lineback as Slim, the Bartender
Donna Eskra as Dolly
Robert Dubac as Clyde Walsh
Lou Rawls as Morgue Attendant
Daniel Zacapa as Detective Garcia
Hudson Leick as Grace

Links

• After the Game at the Internet Movie Database

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Phil Karlson
Produced by Helen Ainsworth (associate producer), Stirling Sillphant, John Barnwell
Written by Stirling Sillphant, William Bowers, John Barnwell, Jack Finney (magazine story), Frank Tashlin (uncredited)
Starring Kim Novak, Brian Keith
Music by George Duning
Cinematography Lester White
Editing by Jerome Thoms
Distributed by Columbia Pictures Corporation
Release date(s) June 10, 1955
Running time 84 minutes
Country United States

5 Against the House is a 1955 American heist film starring Kim Novak, Guy Madison and Brian Keith, directed by Phil Karlson and based on a story by Jack Finney. It centers on a fictional robbery of what was a real Nevada casino, Harold’s Club.

Plot summary

During a weekend side-trip to Reno, Nevada, college friends Brick (Keith), Al (Madison), Ronnie (Kerwin Matthews) and Roy (Alvy Moore), visit the famous casino Harold’s Club.

After an hour spent gambling and socializing, the group prepares to leave. Ronnie, however, has lost money playing roulette, and must cash in a check at the cashier’s window. He is accompanied there by Roy, but, unbeknownst to either of them, the cashier is being threatened by a man with a gun. Using a concealed security alarm, the cashier alerts casino officials who then converge on the window believing that Roy and Ronnie are also involved in the attempted robbery. All three are apprehended. Outside the casino moments later, Al persuades the police to release Roy and Ronnie, but the inquisitive Ronnie has already become obsessed with the concept of a spectacular robbery, especially a robbery of a casino like Harold’s Club, and he begins forming his own plans to rob Harold’s Club after he overhears a bystander lament, “There’s no way it (a robbery) can be done.”

Once back at college, the incident is seemingly forgotten, though Ronnie immediately begins developing his plans in earnest whilst the others are preoccupied by the beginning of the new term. Al is also preoccupied by his desire to reestablish his relationship with his girlfriend, Kaye (Kim Novak), who has recently become a singer at a local nightclub. Determined to see her perform, Al takes Brick, Roy and Ronnie to see one of Kaye’s first shows. After the performance, Brick, a Korean War veteran, is provoked into fighting a fellow student over a former girlfriend, and, afterward, he suffers from the effects of a dissociative psychotic episode due to an ongoing battle with Posttraumatic Stress Disorder (PTSD). Later in the night, Al encourages a distraught Brick to return to a veteran’s hospital for treatment, but he refuses, and, together, the two agree to move on.

Some time later, Ronnie finalizes an actual plan to rob Harold’s Club. Claiming that the robbery would be an adventurous “first” [experience] in their otherwise ordinary lives, Ronnie reveals the plan to Brick and Roy. Ronnie then maintains that if the robbery were a success, all the stolen money would be returned, thereby ensuring that no one involved would be guilty of a prosecutable crime. Though initially skeptical, Brick and Roy gradually abandon their misgivings. The wealthy Ronnie then uses his personal inheritance funds to purchase an untraceable trailer and car and fabricate a wooden cart that is identical to the cash carts used at Harold’s — the most important component of the heist.

Though his preparations are complete, Ronnie determines that the robbery can only go ahead if Al is present for it, since he maintains that at least four people will be needed for the dangerously complex operation. But Brick, Roy and Ronnie agree that Al will not go along with the robbery if he is made aware of it beforehand. Coincidentally, the day before the robbery, Al proposes to Kaye, and they decide to go to Reno with the others to celebrate their engagement.

On the way to Reno, Al recognizes the cart’s design while riding in the trailer and inadvertently triggers play of a sinister audio recording somehow connected to a button on the cart’s handle and played through a small reel-to-reel recorder hidden inside the cart itself. The message reveals Ronnie’s robbery plans to Kaye and Al. Shocked, they refuse to participate.

Brick then intervenes. Pulling a hidden revolver from his baggage, Brick seizes control of the robbery. Fearing a life of destitution and confinement, the increasingly disturbed Brick explains that the robbery will go ahead as intended, despite Al and Kaye’s objections, but with one significant exception: the money will not be returned to the casino. Additionally, Brick promises to kill Al if anyone attempts to sabotage the plan.

Once they arrive at the casino, the robbery is carried out efficiently as Reno’s casino district is filled with costumed partiers celebrating a distracting cowboy-themed fête, and, in the chaotic festivities, the disguised Brick, Ronnie and Al blend into the crowd, going unnoticed by casino security while convincing a cart operator (William Conrad) to retrieve cash from the casino’s money room through a clever ploy — using the prerecorded message on the tape recorder inside the counterfeit cart to frighten the man into playing along.

After the final moments of the robbery, Brick leaves the others behind and escapes with the money, but he is pursued, by Al, into a casino parking structure. Kaye, having alerted police, follows them, and a tense standoff takes place. Al manages to make Brick give himself up peacefully and the gathered police officers escort Brick from the scene while promising to treat him fairly. No one else is arrested, and, in the final shot, Al and Kaye embrace on a crowded street.

Cast

Kim Novak as Kaye Greylek
Brian Keith as Brick
Guy Madison as Al Mercer
Kerwin Matthews as Ronnie
Alvy Moore as Roy
William Conrad as Eric Berg
Jack Dimond as Francis Spiegelbauer
Jean Wills as Virginia

Reception

The film was praised upon its release by the New York Times, which cited, “brisk direction, crisp, idiomatic and truly comic dialogue” as being chief among its positive qualities, but held reservations about the film’s development of characters and back-story.^[1] Contemporary reviewer Richard Harland Smith has reported that Kim Novak received, “favorable, albeit condescending reviews” for her portrayal of “night-club chanteuse” Kaye Greylek, which improved her status at Columbia Pictures.^[2]

Significance

Released in 1955, 5 Against the House is an early example of a filmed heist, and an early film depiction of casino-robbery, to be later typified by, among others, Ocean’s 11, its remake and sequels. Martin Scorsese has thus specifically indicated that his 1995 film Casino was influenced by Karlson’s own production.^[3] And, though not her film debut, the film was one of future-star Kim Novak’s first screen appearances; Novak was one of the last film stars to be signed to a studio contract and to be recruited through the “old studio system” by producer Harry Cohn.^[4]

DVD Releases

On November 3, 2009, Sony Pictures released the film on standard-definition DVD as a part of their collection Film Noir Classics, Volume I with other early noir films The Big Heat, The Lineup, Murder by Contract, and The Sniper. The DVD includes film introductions and commentaries by notable filmmakers Martin Scorsese, Michael Mann, Christopher Nolan and authors Eddie Muller and James Ellroy.^[5]

References

Links

• 5 Against the House at the Internet Movie Database
• 5 Against the House at AllRovi
• 5 Against the House at the TCM Movie Database

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Daniel Mann
Produced by Jack Rose
Written by A. Rose (book), Jack Rose
Starring Dean Martin, Lana Turner, Eddie Albert, Walter Matthau
Music by George Duning
Nita Talbot
Cinematography Joseph Ruttenberg
Editing by Howard A. Smith
Distributed by Paramount Pictures
Release date(s) December 25, 1962
Running time 93 min.
Country U.S.A.
Language English

Who’s Got the Action? (1962) is a comedy film about a man suffering from an addiction to gambling starring Dean Martin, Lana Turner, Eddie Albert, and Walter Matthau. The film was written by Alexander Rose and Jack Rose, and directed by Daniel Mann.

Plot

The gambling habit of lawyer Steve Flood (Dean Martin) is beginning to get on the nerves of his wife Melanie (Lana Turner), who initially suspects him of marital infidelity. When she learns about the gambling, Melanie talks Steve’s law partner Clint Morgan (Eddie Albert), an old flame, into helping her act as a fictitious horse race bookie offering unusually attractive terms to clients.

The plan is for Steve to lose enough money to permanently rid him of the betting habit, but it goes awry when he suddenly begins winning bets on a number of long-shot horses. Flood’s winning streak attracts the attention of two horse-playing judges, Boatwright (Paul Ford) and Fogel (John McGiver), who persuade Flood to place bets for them with his mysterious “bookie.” Melanie and Morgan are astounded when the judges begin winning large wagers as well.

The make-believe bookmaking activity arouses the ire of syndicate mobster Tony Gagoots (Walter Matthau), who is furious to know who’s “getting the action.” Gagoots’s mistress, a nightclub singer named Saturday Knight (Nita Talbot), happens to be the Floods’ next-door neighbor, and assists Melanie in raising cash for the gambling payoffs by purchasing various furnishings from the Floods’ apartment (using Gagoots’ ill-gotten money).

The source of the mysterious “bookmaking” is traced to the Floods’ apartment by Gagoots through an illegal telephone wiretap. He and a team of thugs descend upon the apartment, where they are surprised to find all the defecting gamblers assembled. They are thunderstruck when a coercive interrogation reveals that Melanie Flood is the “bookie” they have been seeking.

Steve Flood ultimately convinces Gagoots to forgive all of their gambling debts by arguing that only by marrying his mistress Saturday can he avoid the risk of incriminating testimony. In one stroke this fulfills Saturday’s long-sought goal, saves the Floods’ marriage, insulates Gagoots from future prosecution and clears Melanie’s $18,000 gambling payoff burden.

Evaluation

Who’s Got the Action? doesn’t rank as a landmark comedy, it is thoroughly entertaining and well worth seeing. The principal cast members (Martin, Turner, Albert) give creditable performances, but the film benefits much more from knockout performances by the supporting cast (Talbot, Matthau, Ford, McGiver, Glass, various others). The musical score is also excellent. Many of the scenes were filmed on location in Flood’s/Knight’s luxurious penthouse apartments in the historic Talmadge building on Los Angeles’ Wilshire Boulevard; much of the automobile driving shown runs up and down Wilshire. The pace of the action is very fast, with the gag lines (some good, some dull) coming every few seconds. An amusing sideline is the occasional views of Gagoots’ s huge, light-flashing Univac computer, which keeps track of the syndicate’s illegal bookmaking operations.

Movie Origins and Design

The storyline is based on the 1960 novel Four Horse Players Are Missing by Alexander Rose, who also plays a minor role in the film (“Mr. Goody”). This novel, in turn, was closely related to the book Little Miss Marker (1934) by Alexander Hall.

At the detail level, producer/script writer Jack Rose took many liberties to make use of the screen reputations of the cast members. For example, Dean Martin at the “Blue Slipper” night club maintains his boozer image by telling a waiter, “Pour scotch all over us”; in the film’s opening scene he grabs someone else’s cocktail on his way to the phone booth. Straight-laced John McGiver explains that he bets on horses only because “it annoys my wife.”

Matthau’s tour de force portrayal of mobster Tony Gagoots includes a parade of humorous cracks and incongruous actions (drinking from a glass of milk on his desk; biting loudly into apples; ordering his thugs to bring along the artillery “unless you object on religious grounds”; telling Mrs. Flood that he has a deal with Bennett Cerf – “He doesn’t take horse bets, I don’t publish books.”

Famous pin-up model June Wilkinson has no spoken lines, but appears in a bizarre scene in Judge Boatwright’s chambers as a young bride preparing to marry an octogenarian groom. One curious anomaly: Judges Boatwright and Fogel show up in person at a local horse racing track (Hollywood Park) to witness the running of an elderly mare named “Sadness”; this raises the question of why, if the judges could make it to the track, they did not place legal pari-mutuel wagers there instead of making illegal bets through Flood’s mysterious bookie (actually Mrs. Flood). The song performed by Nita Talbot at the night club (“The Lady’s In Love With You”) was of her own composition.

Cast

Dean Martin as Steve Flood
Lana Turner as Melanie Flood
Eddie Albert as Clint Morgan
Walter Matthau as Tony Gagouts
Paul Ford as Judge Boatwright
Nita Talbot as Saturday Knight
John McGiver as Judge Fogel
Jack Albertson as Hodges

Links

• Who’s Got the Action? at the Internet Movie Database
• Who’s Got the Action? at AllRovi

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Stephen Kessler
Produced by Jerry Weintraub
Written by Screenplay: Elisa Bell
Story: Elisa Bell, Bob Ducsay
Characters: John Hughes
Starring: Chevy Chase, Ethan Embry, Marisol Nichols, Beverly D’Angelo, Randy Quaid
Music by Joel McNeely
Cinematography William A. Fraker
Editing by Seth Flaum
Distributed by Warner Bros.
Release date(s) February 14, 1997 (USA)
Running time 93 min.
Language English
Gross revenue $36,429,528 (USA)

Vegas Vacation is a 1997 comedy film. It is the fourth film in the original Vacation film series centering around the fictitious Griswold family, following Vacation, European Vacation, and Christmas Vacation. Chevy Chase reprises his starring role as Clark W. Griswold, the patriarch of the family. The film opened at #4 at the box office and grossed over $36.4 million domestically.^[1] This is the only theatrical Vacation film not to be sponsored by National Lampoon.

Plot

At work, Clark Griswold (Chevy Chase) has invented a long life food preservative, earning him a large bonus check. Clark announces to his family that he is taking them on vacation. Enthusiasm wanes, however, when Clark says they are headed to Las Vegas, Nevada.

His wife, Ellen (Beverly D’Angelo), and teenage daughter, Audrey (Marisol Nichols) have their doubts, as Las Vegas is not known for its family-friendly atmosphere, while teenage son Rusty (Ethan Embry) appears to be more eager, even asking if prostitution is legal there.

Upon arriving in Vegas, the family embarks upon a series of mishaps and adventures. Clark crosses paths with Cousin Eddie (Randy Quaid), the husband of Ellen’s cousin Catherine (Miriam Flynn). Eddie and his family now live in the desert just north of Las Vegas, on what used to be an H-bomb test site.

While on a group tour of the gigantic Hoover Dam, Clark foolishly leaves the group after accidentally creating a leak in the dam’s inside walkways, and is forced to climb the scaffolding to the very top of the dam to get out, because his cries for help cannot be heard over the roaring water of the spillway.

During the vacation in Las Vegas, Clark becomes addicted to gambling (mostly Blackjack, which he usually loses), Rusty gets a fake ID and becomes a winning high roller (taking on the pseudonym ‘Nick Pappagiorgio’), Audrey starts hanging out with Eddie’s wild stripper daughter Vickie (Shae D’Lyn) (and hanging out with impersonators of The Beatles as well), and Ellen becomes addicted to Wayne Newton (playing himself), who may have feelings for Ellen, and it’s making Clark jealous.

After Clark gambles away the family’s $22,600 bank account, Eddie—who has money buried in his front yard—tries to come to the Griswold family’s rescue in return for everything the Griswolds have done for him and his family over the years.

Ultimately, the family begins to fall apart, thanks to Clark’s obsessive gambling, Ellen’s infatuation with Wayne Newton, Rusty’s new winning lifestyle, and Audrey’s desire to engage in exotic dancing with Cousin Vicki rather than spend time with her family.

The Griswolds must learn how to come together as a family, or “Sin City” just might destroy their very fabric.

Near the climax of the film, the Griswolds gamble their last two dollars on a game of Keno. They take a seat next to an older man (Sid Caesar in a cameo) who compliments Clark on his lovely family, and hints that he’s been lonely all of his life. Out of guilt, Clark tells the man to consider himself part of the Griswold family for the night. The man happily accepts Clark’s kind words, and both parties begin the game. At first, the Griswolds are hopeful, but as they realize they’ve already lost the game, they sadly sit for moments in silence. Suddenly, the man next to them ecstatically declares that he’s won the game. As he continues to express joy, he suddenly begins to slip in and out of consciousness while Ellen sends Rusty for help. He awakens one last time and whispers a message to Clark, before dropping his winning ticket and falling one final time. Clark, puzzled, tells Ellen that the man said “take the ticket”. When the casino security guards and paramedics arrive, they declare the man officially dead. They tell the Griswolds his name was Mr. Ellis, and commented on how sad his loneliness was to them. As Mr. Ellis is carried away, a janitor approaches with a vacuum cleaner; walking straight for the winning ticket on the floor. Though it appears Clark is going to allow it to be lost, he at the last moment pulls the ticket out of the path of the vacuum.

Clark and Ellen remarry at the end. Afterwards, Clark hands Eddie a large pile of cash (Eddie can be overheard saying $5000 after counting it) and explains by telling him that “we were very fortunate last night”. Rusty tells Clark of the four cars he had won, a Dodge Viper, a Ford Mustang, a Hummer H1, and a Ford Aspire. Clark takes all the keys away from Rusty, but instead of confiscating them, he gives the keys to each family member. The movie rolls credits as the Griswolds are shown on Interstate 15, driving back home to Chicago.

Cast

Chevy Chase as Clark Griswold
Beverly D’Angelo as Ellen Griswold
Marisol Nichols as Audrey Griswold
Ethan Embry as Russell “Rusty” Griswold
Randy Quaid as Cousin Eddie
Miriam Flynn as Cousin Catherine
Shae D’Lyn as Cousin Vicki
Wallace Shawn as Marty
Julia Sweeney as Mirage Reception Person

Cameos

Wayne Newton as himself
Siegfried & Roy as themselves
Toby Huss as young Frank Sinatra impersonator/fake i.d. salesman
Christie Brinkley as “Girl in the Red Ferrari” from the first film
Sid Caesar as Mr. Ellis
Jerry Weintraub as “Gilly from Philly”

Production

The Mirage Resort on the Las Vegas Strip was a major filming location for this movie. It was filmed during the busy tourist season, from mid-June, through late September 1996. Several sections of the movie are filmed at Shenandoah, the home of entertainer Wayne Newton, who also appears in the film.

Nichols and Embry became the fourth different set of actors to play the Griswold children, Audrey and Rusty. This fact is referenced early in the film when Clark Griswold comments that he hardly recognizes his children anymore. The role of Huss was similar to a number of MTV commercials from the early 1990s that featured Huss as a Vegas crooner.

This was the first (and only) theatrical Vacation film in the series to receive a PG rating. The first Vacation film was rated R, while European Vacation and Christmas Vacation received PG-13 ratings. As a result the language, and vulgar/sexual situations as in the previous films do somewhat exist but are much more mild and toned down than the other installments.

Critical reception

The film has received mostly mixed to negative reviews. The film has garnered a “Rotten” rating of 14% on Rotten Tomatoes^[2] and a weighted average score of 20 out of 100 on Metacritic.^[3] However, the film has received a C+ rating at Box Office Mojo and a score on 5.5 on Internet Movie Database.

Despite mixed reviews, Vegas Vacation has found success on DVD and on television.

References

Links

• Vegas Vacation at the Internet Movie Database
• Vegas Vacation at Allrovi

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Directed by Sidney Poitier
Produced by Melville Tucker
Written by Richard Wesley
Starring Sidney Poitier, Bill Cosby, Harry Belafonte
Studio First Artists
Distributed by Warner Bros.
Release date(s) July 26, 1974
Running time 104 minutes
Country United States
Language English
Budget $3,000,000 (approx.)

Uptown Saturday Night is a 1974 comedy film written by Richard Wesley, and directed by Sidney Poitier. Poitier also stars in this film, along with Bill Cosby and Harry Belafonte. Cosby and Poitier teamed up again for Let’s Do It Again (1975) and A Piece of the Action (1977). Although their characters have different names in each film, the three films are considered to be a trilogy.

Synopsis

Steve Jackson (Sidney Poitier), a blue-collar worker at a steel mill, has just begun a two-weeks-long vacation. He is convinced by his friend Wardell Franklin (Bill Cosby) to go to a party that Saturday night at Madam Zenobia’s, an uptown nightclub.

While the two are at the party, the club is robbed. The masked bandits force the patrons to strip to their underwear, then steal their money and jewelery, including Steve’s wallet.

The following day, Steve is at home and reading his newspaper when he learns he has won the lottery. However, he realizes that the lottery ticket was in the wallet that was stolen from him, and Steve and Wardell spend the remainder of the film tracking down his wallet by consulting with crooked politicians, fake detectives, con-artists, and underworld crime bosses.

Cast

Sidney Poitier — Steve Jackson
Bill Cosby — Wardell Franklin
Harry Belafonte — Geechie Dan Beauford
Flip Wilson — The Reverend
Richard Pryor — Sharp Eye Washington
Calvin Lockhart — Silky Slim
Rosalind Cash — Sarah Jackson
Roscoe Lee Browne — Congressman Lincoln
Paula Kelly — Leggy Peggy
Lee Chamberlin — Madame Zenobia
Johnny Sekka — Geechie’s Henchman
Lincoln Kilpatrick — Slim’s Henchman #1
Don Marshall — Slim’s Henchman #2
Harold Nicholas — Little Seymour Pettigrew

cameo appearances by:

Ketty Lester — Irma Franklin
Jophery C. Brown — Geechie Dan henchman
Gene McDaniels — Member of the Choir
Ray Parker Jr. — Ray
George Reynolds — Big Percy
Richard Warren — Driver

Television pilot

Shortly after the film’s release, NBC commissioned a pilot for a sitcom version of Uptown Saturday Night,^[1] starring Cleavon Little and Adam Wade, playing the respective roles played by Cosby and Poitier in the film. The pilot did not sell, though it was seen on NBC during the summer of 1979 as part of Comedy Theater, one of many showcases featuring unsold pilots.

References in popular culture

An episode of Martin spoofed the club/robbery scene at Madame Zenobia’s. “Jerome” owns a club called “Club Shiznit” that Tommy and Cole go to visit one night. As armed masked women enter the club and rob everyone “down to the underwear,” one of them overhear Cole murmur to Tommy about being relieved that they did not discover the diamond earrings he was holding for Martin (who had planned to surprise Gina with them upon their return from a trip). The masked woman motions to Cole to hand the earrings over; Tommy tells her to just shoot him for running his big mouth.

The rapper Nas referenced Madame Zenobia’s in his 2006 track “Money Over Bullshit.”

Macedonian house duo Latenta Project released their track “Only One Life” with Apollo Records in 2010 which includes vocal samples and references to Madame Zenobia’s throughout the track, featuring remixes by Those Twins, Artette and Ocean Gaya.

Remake

In 2002, it was announced that Will Smith and his production company, Overbrook Entertainment, had secured the rights to the trilogy for remakes to star Smith and to be distributed by Warner Bros. Smith stated that he hoped to get Eddie Murphy, Martin Lawrence and other famous African-American stars to be in the films.^[2][3]

The 1996 album Uptown Saturday Night by the rap duo Camp Lo was named after the movie, with one member (Geechie Suede) taking his stage name from the film.

References

Links

• Uptown Saturday Night at the Internet Movie Database
• Uptown Saturday Night at Rotten Tomatoes

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Leena Yadav
Produced by Ambika A. Hinduja
Screenplay by Leena Yadav, Shiv Kumar Subramaniam
Story by Leena Yadav, Shiv Kumar Subramaniam
Starring Amitabh Bachchan, Ben Kingsley, R. Madhavan, Saira Mohan, Raima Sen, Shraddha Kapoor, Tinnu Anand, Mahesh Manjrekar
Music by Salim-Sulaiman
Cinematography Aseem Bajaj
Editing by Hughes Winborne, Kaushik Das
Distributed by Serendipity Films
Release date(s) February 26, 2010
Running time 140 mins.
Country India
Language Hindi

Teen Patti (Hindi: तीन पत्ती) is a 2010 Bollywood film directed by Leena Yadav who had previously directed the Sanjay Dutt-Aishwarya Rai starrer Shabd in 2005. The film stars Amitabh Bachchan, Ben Kingsley, R. Madhavan, Raima Sen, Shraddha Kapoor^[1] and is produced by Ambika Hinduja under the banners Hinduja Ventures and Serendipity Films. The film is about a mathematics professor, played by Amitabh Bachchan, who is trying to write a thesis on probability and relates it to the Indian card game of Teen Patti.

Plot

The story begins with Venkat Subhramaniam (Amitabh Bachchan), a professor of mathematics, software engineering, and a genius, teaching math in his village to kids when a postman comes with a letter. The letter is from Perci Trachtenberg (Ben Kingsley), widely regarded as the world’s greatest living mathematician, who invites Venkat to a high rolling casino in London. Venkat tells Perci about an equation that could not only change the dialogue on mathematics forever, but one that has already left an indelible impression of guilt – for many painful reasons – on Venkat’s life. It is shown in the past that the reclusive genius Venkat has cracked a theory that could redefine the principles of probability and randomness. Venkat tries to use this experiment in a game called Teen Patti, (a poker game) which he plays on the internet. According to this experiment if a player playing Teen Patti knows all the 3 cards with one of the players (except him) he/she can guess the other cards with the rest of the players and therefore can guess who is going to win with the theory of probability.

Venkat succeeds on his theory and submits his report to the institute where he teaches but they reject his report. But Venkat is sure about his theory and wants to try out in reality with real players. So he talks with a younger professor Shantanu (R. Madhavan) about his theory and tells him to get three students to try out this experiment. Shantanu arranges three students- Sid (Siddharth Kher)- the college rockstar, Aparna or Apu (Shraddha Kapoor)- the studious geek who has a crush on Sid and Vikram or Vikku (Dhruv Ganesh)- the boy next door. They come together and start playing the game and Venkat’s theory like the last time proves to be successful. Venkat tells that after a few more games he’ll be sure to crack his equation and even be able to study it better. Shantanu tells him that he should try using his theory in the real world, where there are people who actually gamble and play Teen Patti i.e. in underground dens or ‘addas’.

Although Venkat has no interest in the money that could come from practicing his equation to crack Teen Patti, he eventually succumbs to Shantanu’s charismatic persuasion. Soon, with the help of his new students, they explore the addas (underground gambling dens) of wild Bombay. Later another student from the institute, Abbas (Vaibhav Talwar)- the rich spoiled brat joins the gang and arranges for them parties in casinos, private clubs etc. But what starts out as an experiment between a charismatic young professor and an eccentric older one soon descends into a game neither of them can control. The money they earn gets stolen; someone is blackmailing them; they get greedy about money and in the course of time they change into different people and even start betraying each other. The story tells that money is nothing but hunger; it leads to greed, deception, betrayals which have disastrous consequences in the end.

Cast

Amitabh Bachchan as Venkat Subramanium
Ben Kingsley as Perci Trachtenberg
R. Madhavan as Shantanu Biswas
Dhruv Ganesh as Bikram
Shraddha Kapoor as Aparna
Siddharth Kher as Sid
Vaibhav Talwar as Abbas
Saira Mohan as K.
Raima Sen
Ajay Devgan as Sunny
Jackie Shroff as Tony Milano
Mahesh Manjrekar as Dagdu
Ranjeet
Shakti Kapoor as Prem London
Tinnu Anand as Billu
Siddharth Shanghvi
Nonita Kalra
Bibhu Mohaptra
Eden Shyodhi
Rubina Khan as Sadasas
Maria Gopez as Dancer in Niyat Song

Production

The film is shot in India except for a few parts that in England, for which production designer Ayesha Punvani, created gambling dens (adda) in places like abandoned train yards, dockyards, abandoned factories, mills that have been shut down and an ice factory, and in all 80 sets were created ^[2]

Reception

Teen Patti had a poor opening, being beaten out by My Name Is Khan in the first place and Karthik Calling Karthik in the second place. Even Amitabh Bachchan’s appearance could not help the film to go on. The film was rated as a Box office disaster in its first week. The critical reception was extremely poor as well, receiving almost universally bad reviews. Well known film critic and author Anupama Chopra called it “a train wreck of a movie”.^[3]

References

Links

• Official website
• Teen Patti at the Internet Movie Database
• Teen Patti Reviews

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Jack Conway
Produced by Bernard H. Hyman
Written by Anita Loos
Robert Hopkins
Starring Clark Gable
Jean Harlow
Lionel Barrymore
Frank Morgan
Walter Pidgeon
Hattie McDaniel
Margaret Hamilton
Music by Edward Ward
Cinematography Ray June
Release date(s) July 23, 1937 (1937-07-23)
Running time 92 minutes
Country United States
Language English

Saratoga is a 1937 film written by Anita Loos and directed by Jack Conway. The movie stars Clark Gable and Jean Harlow in their sixth and final film collaboration. When filming was 90% completed, Harlow collapsed on the set and died about a week later, reportedly of uremic poisoning. MGM wanted to reshoot the movie with Virginia Bruce or Jean Arthur. However, Harlow fans complained, so the remaining scenes were filmed with Mary Dees doubling for the camera and Paula Winslowe supplying Harlow’s voice. The supporting cast includes Lionel Barrymore, Frank Morgan, Walter Pidgeon, Hattie McDaniel, and Margaret Hamilton. The film would be Harlow’s final movie and Harlow’s fans turned out in droves, making Saratoga MGM’s biggest moneymaker of 1937.

Synopsis

Bookie Duke Bradley (Clark Gable) stops the bank from taking the stud of Grandpa Clayton (Lionel Barrymore). Carol Clayton (Jean Harlow) calls from England that she is going to marry the wealthy Hartley Madison (Walter Pidgeon). Duke tells her father, Frank Clayton (Jonathan Hale), and Grandpa. Broke, Frank gives Duke the deed to the family farm to pay his gambling debts. At the races, Duke takes bets and meets Hartley and Carol. Duke greets Fritzi (Una Merkel) with a kiss. During a race, Frank collapses and dies.

Carol asks Duke to sell her the farm, but Duke assures her he won’t foreclose on Grandpa. They quarrel about her marrying for money. Fritzi tells Duke that her husband Jesse Kiffmeyer (Frank Morgan) is allergic to horses. When Jesse sneezes during an auction, Duke sees to it that this is considered a bid, and Jesse ends up buying a horse that Fritzi wanted. Grandpa tells Duke that Carol is selling her horse, Moonray; Carol tells Duke she needs money to pay him off. Duke bids Hartley up to $14,000 but stops before Carol is going to let him win. Hartley asks Grandpa to train Moonray.

Carol studies horses and has won money from Duke. Tip O’Brien (Cliff Edwards) sings “The Horse With the Dreamy Eyes” with Fritzi, Duke, and Rosetta (Hattie McDaniel). Carol is friendly with Duke until he asks her to get Hartley betting. Duke calls on Hartley and tells him to help Carol’s nerves. Hartley calls Dr. Bierd (George Zucco), who says Carol is emotional and should marry soon or not see Hartley. Duke gets Hartley to bet and win $6,000, telling Tip it is bait. Carol tells Hartley not to bet with Duke, who learns Hartley is leaving. Carol asks Hartley to stay.

At the track, Hartley bets with Duke and loses $5,000. On a train, Duke dines with Fritzi and Jesse, who is jealous. Fritzi knows Duke is in love with Carol, and Duke says he plans to win money to marry her. Carol tells Duke she loves him and has broken off her engagement to Hartley. When Duke objects to losing Hartley, she gets angry. At the races, Hartley loses. Hartley hires a new trainer for Moonray. Carol gets Jesse’s contract with the jockey Dixie Gordon (Frankie Darro) so Duke will lose; but Fritzi tells Jesse that that if Duke wins, he will marry Carol. Dixie is riding Moonray. Grandpa quarrels with the new trainer. The race is a photo finish, but Moonray loses. On a train, Carol and Duke celebrate.

Cast

Clark Gable – Duke Bradley
Jean Harlow – Carol Clayton
Lionel Barrymore – Grandpa Clayton
Frank Morgan – Jesse Kiffmeyer
Walter Pidgeon – Hartley Madison
Una Merkel – Fritzi
Cliff Edwards – Tip
George Zucco – Dr. Harmsworth Bierd
Jonathan Hale – Frank Clayton
Hattie McDaniel – Rosetta
Frankie Darro – Dixie Gordon
Margaret Hamilton – Maizie

Quotes

• Duke Bradley: Honey, I love ya!
• Fritzi Kiffmeyer: We women can do things to a man we love that men wouldn’t do to a rattlesnake.
• Duke: Why, honey, you look sharp as a razor.
• Fritzi: Oh, there he is, the sweetheart!
• Duke: Who, your husband?
• Fritzi: No, that colt!

Links

• Saratoga at the Internet Movie Database

Directed by Thorold Dickinson
Produced by Anatole de Grunwald
Written by Alexander Pushkin (story), Rodney Ackland, Arthur Boys
Starring Anton Walbrook, Edith Evans, Yvonne Mitchell
Distributed by Associated British-Pathe (UK)
Republic Pictures (US)
Release date(s) June 30, 1949 (USA)
Running time 95 minutes
Country United Kingdom
Language English

The Queen of Spades (1949) is a fantasy-horror film based on a short story of the same name by Alexander Pushkin. It stars Anton Walbrook, Edith Evans and Yvonne Mitchell. A poor Russian officer tries to learn the secret of an aged countess’s success at the card table.

Despite a limited budget, it was nominated for a BAFTA Award for Best British Film. It was also entered into the 1949 Cannes Film Festival.^[1]

Cast

Anton Walbrook as Captain Herman Suvorin
Edith Evans as Countess Ranevskaya
Yvonne Mitchell as Lizavetta Ivanova
Ronald Howard as Andrei
Mary Jerrold as Old Varvarushka
Anthony Dawson as Fyodor
Miles Malleson as Tchybukin
Michael Medwin as Hovaisky
Athene Seyler as Princess Ivashin
Ivor Barnard as Bookseller
Aubrey Mallalieu as Fedya
Maroussia Dimitrevitch as Gypsy singer
Violette Elvin as Gypsy dancer
Pauline Tennant as young Countess Ranevskaya

References

Links

• The Queen of Spades at the Internet Movie Database

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Ron Shelton
Produced by Stephen Chin, Kellie Davis, David V. Lester
Written by Ron Shelton
Starring Antonio Banderas, Woody Harrelson, Lolita Davidovich, Tom Sizemore, Lucy Liu, Robert Wagner, Tony Curtis, Wesley Snipes, Mike Tyson, Kevin Costner, Rod Stewart, Jennifer Tilly, Natasha Gregson Wagner, Drew Carey
Music by Alex Wurman
Cinematography Mark Vargo
Editing by Patrick Flannery, Paul Seydor
Distributed by Touchstone Pictures
Release date(s) December 25, 1999
Running time 124 min.

Play It to the Bone is a 1999 sports/comedy-drama film, starring Antonio Banderas and Woody Harrelson, written and directed by Ron Shelton.

It follows the adventures of two boxers and best friends who travel to Las Vegas in order to fight each other for the sake of a chance to compete for the middleweight title. The film also starred Lolita Davidovich, Tom Sizemore, Lucy Liu, and Robert Wagner.

Cameo appearances include: Tony Curtis, Wesley Snipes, Mike Tyson, Kevin Costner, Rod Stewart, Jennifer Tilly, Natasha Gregson Wagner and Drew Carey.

Plot

Aging prizefighters and longtime pals Cesar Dominguez (Banderas) and Vince Boudreau (Harrelson) always regretted not getting one last shot. Out of the blue, such an opportunity comes their way — except it is to fight each other.

Boxing promoter Joe Domino (Sizemore) has a problem on his hands. The fighters scheduled to be on his undercard in Vegas, a preliminary to a main event featuring heavyweight Mike Tyson, suddenly become unavailable at the last minute. He needs replacements fast, so a call is made to a gym in Los Angeles to see if Dominguez and Boudreau would be willing to step into the ring against one another.

The boxers negotiate one condition: that the winner will be given a chance to fight for the middleweight championship. Domino agrees, although the untrustworthy promoter is not necessarily a man of his word.

Cesar and Vince have only a day to get to the fight. They decide to drive rather than fly, so they call upon their friend Grace (Davidovich) to drive them in her lime green Oldsmobile 442. Grace is a former love interest of both. Grace’s own plan is to pitch her various money-making ideas to Vegas bigshots like hotel and casino boss Hank Goody (Wagner) and raise venture capital. Along the way, they pick up a hitchhiker (Liu) whose insults finally result in Grace’s flattening her with a solid right cross worthy of her traveling companions.

The fight between the two friends is sparsely attended, ringside fans and celebrities remaining uninterested until the night’s main event. Cesar and Vince mix it up so savagely, however, beating each other to a bloody pulp, that fans in the arena begin paying more and more attention, as do commentators on TV.

When the action-packed and dramatic bout comes to an end, Cesar and Vince are paid off, but promptly spend most of their money in the casino. Grace, too, comes away bruised and empty-handed, except for her everlasting relationship between a couple of hard-headed but soft-hearted guys.

Reception

The film garnered a generally poor reception, with Rotten Tomatoes giving it an average rating of 3.9 out of 10.^[1] Professional critical reception was similar, with Empire magazine giving it just 2 stars out of 5.^[2]

References

Links

• Play It to the Bone at the Internet Movie Database

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Preston Sturges
Produced by Paul Jones, Buddy G. DeSylva (uncredited)
Written by Monckton Hoffe (story), Preston Sturges
Starring Barbara Stanwyck, Henry Fonda
Music by Phil Boutelje, Charles Bradshaw, Gil Grau, Sigmund Krumgold, John Leipold, Leo Shuken (all uncredited)
Cinematography Victor Milner
Editing by Stuart Gilmore
Distributed by Paramount Pictures
Release date(s) February 25, 1941 (NYC)
March 21 (general)
Running time 94 minutes
Country United States
Language English

The Lady Eve is a 1941 American screwball comedy film.^[1][2] It is about a mismatched couple who meet on a luxury liner, written by Preston Sturges based on a story by Monckton Hoffe, and directed by Sturges, his third directorial effort, after The Great McGinty and Christmas in July. The film stars Henry Fonda and Barbara Stanwyck and features Charles Coburn, Eugene Pallette, William Demarest and Eric Blore.

In 1994, The Lady Eve was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

Plot

Jean Harrington (Barbara Stanwyck) is a beautiful con artist. Along with her equally larcenous father, “Colonel” Harrington (Charles Coburn) and his partner Gerald (Melville Cooper), she is out to fleece rich, naive Charles Pike (Henry Fonda), the heir to the Pike Ale fortune (“The Ale That Won for Yale”). Pike is a woman-shy snake expert just returning from a year-long expedition up the Amazon. Though surrounded by ladies desperate for his attention, Charles is putty in Jean’s hands.

But even the best laid plans can go astray. First, Jean falls hard for Pike and shields him from her card sharp father. Then, when Pike’s suspicious minder/valet Muggsy (William Demarest) discovers the truth about her and her father, Pike dumps her. Furious at being scorned, she re-enters his life masquerading as the posh “Lady Eve Sidwich”, niece of Sir Alfred McGlennan Keith (Eric Blore), another con man who’s been swindling the rich folk of Connecticut. Jean is determined to torment Pike mercilessly – as she explains, “I’ve got some unfinished business with him — I need him like the axe needs the turkey” – and it doesn’t hurt that Pike’s wealthy businessman father (Eugene Pallette) is impressed by English nobility and eager to promote a marriage between his son and her ladyship. When Pike meets “Eve”, he immediately recognizes her, but is so bewildered he constantly trips and falls over himself. Although Muggsy tries to convince him “she’s the same dame”, Pike reasons that Jean would never come close to his home without at least disguising herself, so he concludes the resemblance is only a coincidence. After a brief courtship, they marry, and on the train to their honeymoon, “Eve” begins to confess her past, dropping name after name after name of old boyfriends and lovers. Pike finally gets fed up and jumps off the train. Now separated, Jean’s con team urges her to close the deal, saying she’s got him over a barrel and can make a killing in a settlement. While Charles’ father and lawyers are on the phone with her pleading to settle quickly, she says she doesn’t want any money at all, just for Pike to tell her it’s over to her face. Pike refuses, and instead gets on a ship back to the Amazon. On the boat, Jean “bumps into” Pike, just as they met before, and they instantly dash to his cabin where they mutually confess their love for each other and the fact they are both married. Muggsy escapes the room, muttering, “Definitely the same dame…”

Henry Fonda from the trailer for the film

Cast

• Barbara Stanwyck as Jean Harrington
• Henry Fonda as Charles Poncefort Pike
• Charles Coburn as “Colonel” Harrington
• Eugene Pallette as Horace Pike
• William Demarest as Muggsy, aka Ambrose Murgatroyd
• Eric Blore as Sir Alfred McGlennan Keith
• Melville Cooper as Gerald
• Martha O’Driscoll as Martha
• Janet Beecher as Janet Pike
• Robert Greig as Burrows
• Dora Clement as Gertrude
• Luis Alberni as Emile, Pike’s chef

Cast notes:

• Aside from William Demarest, members of Sturges’ unofficial “stock company” of character actors who appear in The Lady Eve include Al Bridge, Jimmy Conlin, Robert Dudley, Robert Greig, Arthur Hoyt, George Melford, Torben Meyer, Frank Moran, Victor Potel, Harry Rosenthal, Julius Tannen and Robert Warwick.
• This is the fifth of ten films written by Preston Sturges that William Demarest appeared in.^[3]

Production

The 19-page story by Monckton Hoffe which The Lady Eve was loosely based on was called “Two Bad Hats,” which was also the working title for the film. Sturges was assigned to write a script based on Hoffe’s story in 1938, with Claudette Colbert expected to be the star. Sturges and Paramount producer Albert Lewin had some written disagreement in 1939 about the development of the script, with Lewin writing to Sturges “”the first two-thirds of the script, in spite of the high quality of your jokes, will require an almost one hundred percent rewrite.” Sturges objected, and eventually Lewin gave in, writing: “Follow your witty nose, my boy; it will lead you and me and Paramount to the Elysian pastures of popular entertainment.”^[4][5]

The censors at the Hays Office initially rejected the script that was submitted to them, because of “”the definite suggestion of a sex affair between your two leads” which lacked “compensating moral values.” A later, revised, script was approved.^[4]

The casting of the lead roles for Eve went through some changes. At some point the studio wanted Brian Aherne for the male lead,^[5] and Joel McCrea, Madeleine Carroll and Paulette Goddard were under consideration as of July 1940, but in August 1940 Fred MacMurray and Madeleine Carroll were announced as co-stars. In September, Darryl Zanuck lent Henry Fonda to co-star with Paulette Goddard, who was then replaced by Barbara Stanwyck.^[4]

The Lady Eve was in production from 21 October to 5 December 1940.^[6] According to Donald Spoto in Madcap: The Life of Preston Sturges, Sturges “invariably paraded on [the] set with a colorful beret or a felt cap with a feather protruding, a white cashmere scarf blowing gaily round his neck and a print shirt in loud hues…the reason for the peculiar outfits, he told visitors, was that they facilitated crew members’ finding him amid the crowds of actors, technicians, and the public.” Barbara Stanwyck compared Sturges’ set to “a carnival”. In his biography of Stanwyck, author Axel Madsen wrote that “The set was so ebullient that instead of going to their trailers between setups, the players relaxed in canvas chairs with their sparkling director, listening to his fascinating stories or going over their lines with him. To get into mood for Barbara’s bedroom scene, Sturges wore a bathrobe.”^[5]

Location shooting for the opening jungle scene took place at Lake Baldwin of the Los Angeles County Arboretum and Botanic Garden in Arcadia, California.^[4][7] In that scene, Henry Fonda’s character refers to “Professor Marsdit”, whose last name is an anagram of that of Raymond L. Ditmars of the American Museum of Natural History, a well-known reptile expert and popular science writer of the time.^[8]

The film premiered in New York City on 25 February 1941, and went into general release on 21 March of that year.^[6] It was marketed with a number of taglines, including When you deal a fast shuffle… Love is in the cards.^[9] The film ranked as one of the top ten films of that year in box office sales.^[4]

The Lady Eve was released on video in the U.S. on 12 July 1990, and was subsequently re-released on 30 June 1993.^[10]

Analysis

Barbara Stanwyck from a trailer for The Lady Eve

The clearest theme, and easiest to pick out very early in the film is gender inversion. Jean Harrington is clearly in control of the situation for the majority of the film, until her feelings get in the way of her previous, dubious intentions. Until she realizes that she loves him, there was little sense of the struggle between equals that typifies most romantic comedies.^[11]

The film has been lauded for a unique blend of slapstick and satire.^[12] We see the “fall of man” implied by the title of the film in many ways. First is that literal, that being Pike continuously falling down in various situations, and his “fall from innocence” as he is sucked into the deceptive plots laid out by Jean.^[13]

Sturges also uses deceptiveness in appearance profusely throughout the film. Things as small as the distinction, or lack thereof, between beer and ale to the various disguises of Jean Harrington add depth to the plot line. Even most of the characters have two names (Charles=Hopsie, Jean=Eugenia/Eve Sidwich). This lack of recognition sets the stage for the storyline.

Sturges repeatedly suggests that the “lowliest boob could rise to the top with the right degree of luck, bluff and fraud.”^[14]

Awards and honors

Monckton Hoffe, who wrote the original story for The Lady Eve, was nominated for an Academy Award for Best Writing, Original Story. In that same year, the National Board of Review nominated the film for “Best Picture,” and the New York Times named it as the best film of the year in their “10 Best Films of 1941″ list.^[15]

In 1994, The Lady Eve was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

American Film Institute recognition

• 2000: AFI’s 100 Years… 100 Laughs #55
• 2002: AFI’s 100 Years… 100 Passions #26

Remake

In 1956, the plot of The Lady Eve was recycled for the movie The Birds and the Bees, starring George Gobel, Mitzi Gaynor and David Niven. Preston Sturges received a co-writer credit for the film, although he did not actually participate in the project.^[16]

References

Notes

Bibliography

• Coursodon, Jean-Pierre, American Directors: Volume I, New York: McGraw-Hill, 1983
• Nochimson, Martha, “The Lady Eve and Sullivan’s Travels”, Cineaste, Summer 2002, Vol. 27, Issue 3
• Rowe, Kathleen, The Unruly Woman, Austin: University of Texas Press, 1995
• Sarris, Andrew, The American Cinema, New York: E.P. Dutton & Co., Inc., 1968

Links

• The Lady Eve at the Internet Movie Database
• The Lady Eve at the TCM Movie Database
• The Lady Eve at Allmovie
• Criterion Collection essay by James Harvey

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by Norman Jewison
Produced by Stan Margulies
Written by Story: Damon Runyon
Screenplay: Marion Hargrove
Starring Tony Curtis, Suzanne Pleshette, Larry Storch
Music by Mort Lindsey
Cinematography Joseph MacDonald
Editing by Marjorie Fowler
Distributed by Universal Pictures
Release date(s) 31 December 1962 (USA)
Running time 106 min.
Country United States
Language English

40 Pounds of Trouble is a 1962 film directed by Norman Jewison and marks his directorial debut. The film was shot on location at Disneyland and Lake Tahoe.^[1] It is a retelling of Damon Runyon’s story Little Miss Marker.^[2]

Plot

Tony Curtis plays a casino manager who must take care of an 8 year old girl.

Principal cast

Critical reception

Bosley Crowther of The New York Times sums up the film:

References

Links

• 40 Pounds of Trouble at the Internet Movie Database
• 40 Pounds of Trouble at Allmovie

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by: Fielder Cook
Produced by: Fielder Cook
Written by: Sidney Carroll
Starring: Henry Fonda, Joanne Woodward, Paul Ford, Jason Robards, Burgess Meredith, Charles Bickford, Kevin McCarthy
Music by: David Raskin
Cinematography: Lee Garmes
Distributed by: Warner Bros. Pictures
Release date: 1966
Running time: 95 minutes

A Big Hand for the Little Lady (released in the UK as Big Deal at Dodge City) is a 1966 western film, made by Eden Productions Inc. and released by Warner Bros. It was produced and directed by Fielder Cook from a screenplay by Sidney Carroll, adapted from their TV play Big Deal in Laredo which aired on the DuPont Show of the Week in 1962.

The film stars Henry Fonda, Joanne Woodward, Paul Ford, and Jason Robards, with Charles Bickford, Burgess Meredith, Kevin McCarthy, Robert Middleton, and John Qualen. The original TV play starred Walter Matthau as Meredith.

Plot

The five richest men in the territory gather in Laredo for their annual high-stakes poker game. The high rollers let nothing get in the way of their yearly showdown. When undertaker Tropp calls for them in his horse-drawn hearse, cattleman Henry Drummond forces a postponement of his daughter’s wedding, while lawyer Otto Habershaw abandons his closing arguments in a trial, with his client’s life hanging in the balance. They are joined by Wilcox and Buford in the back room of Sam’s saloon, while the curious gather outside for occasional reports.

Settlers Meredith, his wife Mary, and their young son Jackie are passing through, on their way to purchase a farm near San Antonio, when a wheel on their wagon breaks. They wait at Sam’s while the local blacksmith repairs it. Meredith, a recovering gambler, learns of the big poker game and begs to sit in, “just to watch,” but Mary will not hear of it. However, while she is taking the wagon to the blacksmith, Habershaw invites Meredith into the back room. The newcomer buys into the game, eventually staking all of the family savings, meant to pay for a home.

The game builds to a climactic hand; the gamblers raise and re-raise until more than $20,000 is in the pot. Meredith, out of cash, is unable to call the latest raise. Under the strain, he collapses. The town physician, Joseph “Doc” Scully, is called to care for the stricken man. Barely conscious, Meredith signals for his wife to play out the hand.

Taking his seat, Mary asks, “How do you play this game?” The other players object loudly to playing with a woman, particularly one who does not know the game, but eventually give in. The situation is explained to her: if she cannot match the last raise (and any others that may follow), she will be out of the hand.

Despite the men’s protests, she leaves the room to borrow additional funds. With Jackie and four of the players trailing behind, Mary crosses the street and talks to the owner of the Cattle and Merchants’ Bank, C. P. Ballinger. After she shows him her hand, Ballinger assumes she is playing a practical joke. When he learns otherwise, he loans her $5,500 (at 6% interest) and makes a $5,000 raise for her. The other players, aware of Ballinger’s tightfisted, cautious nature, all reluctantly fold. Mary collects her sizable winnings and pays Ballinger back with interest. The game then breaks up.

The lady’s determination earns her the admiration of the men. Even Drummond, the most hard-hearted of the bunch, is so touched that, when he returns home to the waiting wedding ceremony, he talks privately to his weak-willed, prospective son-in-law, gives him some money, and orders him to run away and find himself a better wife than his daughter.

The denouement takes place in the gambling town of Black Creek, where it is revealed that Meredith, Mary, and even their “son” are confidence tricksters and expert card sharps. Together with Ballinger and Scully, they have perpetrated a scam on the five poker players, who had swindled the banker in a real estate deal sixteen years before. “Mary” is actually Ballinger’s girlfriend Ruby. She had promised him she would give up gambling after the caper, but it becomes clear that she had no such intent when she sits down to another poker game.

Cast

Henry Fonda as Meredith
Joanne Woodward as Mary
Jason Robards as Henry P.G. Drummond
Paul Ford as C.P. Ballinger
Charles Bickford as Benson Tropp
Burgess Meredith as Doc Joseph Scully
Kevin McCarthy as Otto Habershaw
Robert Middleton as Dennis Wilcox
John Qualen as Jesse Buford
Jean-Michel Michenaud as Jackie
James Berwick as Sam Rhine

Reception

Joanne Woodward was nominated for the Golden Laurel Award for Female Comedy Performance.^[1]

References

Links

• A Big Hand for the Little Lady at the Internet Movie Database
• A Big Hand for the Little Lady at Allmovie
• A Big Hand for the Little Lady at Rotten Tomatoes
• Original New York Times review

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

Directed by: Harold French
Produced by: Harold French
Written by: Noel Langley (story), George Barraud, Nicholas Phipps, Lesley Storm
Starring: Stewart Granger, Jean Simmons
Release date: May 31, 1949 (1949-05-31)
Running time: 70 minutes

Adam and Evelyne, released in the U.S. as Adam and Evelyn, is a 1949 romance film starring Stewart Granger and Jean Simmons. According to Robert Osborne, host of Turner Classic Movies, this suited the stars, as they were romantically involved at the time, despite their age difference. They married the next year.

Plot

When jockey Chris Kirby (Fred Johnson) is fatally injured in a horse race, he gets his best friend, gambler Adam Black (Stewart Granger), to promise to take care of his teenage daughter, Evelyne (Jean Simmons), who has been raised apart from her father. Unbeknownst to Adam, Evelyne had been led to believe that Adam is her father in correspondence between parent and child. Adam is unable to tell her the truth; his butler and friend Bill Murray (Edwin Styles) tries and fails as well. Finally, Adam’s sometime girlfriend Moira (Helen Cherry) breaks the news to the girl.

Adam sends Evelyne to an exclusive boarding school. When she has grown up, she reappears unexpectedly in his life. Because of the hatred she has for gambling, Adam does not reveal that he stages illegal gambling sessions; instead he tells her that he makes his money on the stock exchange. She begins casually dating Adam’s no-good brother Roddy (Raymond Young).

When Adam tells Moira that he is getting out of the business, she accuses him of being in love his “ward”. Roddy has his own grudge against his brother – Adam refuses to finance a shady deal – and the two of them tip off the police about Adam’s last operation. Roddy also brings Evelyne to see what Adam really does for a living.

Shocked, she quarrels with Adam and leaves. A kindly gambler, Colonel Bradley (Wilfred Hyde-White), gives her some sage advice and convinces her to reconcile with Adam.

Cast

• Stewart Granger as Adam Black
• Jean Simmons as Evelyne Kirby
• Edwin Styles as Bill Murray
• Raymond Young as Roddy Black
• Helen Cherry as Moira
• Beatrice Varley as Mrs. Parker, a gambler
• Joan Swinstead as Molly
• Wilfred Hyde-White as Colonel Bradley
• Fred Johnson as Chris Kirby
• Geoffrey Denton as Police Inspector Collins

Links

• Adam and Evelyne at the Internet Movie Database

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.