2012 Jan 9
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2012 Jan 8
The Kansas Star Casino announced 419 scholarships to be awarded one year earlier than planned.
2012 Jan 7
Town counsel Paul DeRensis says the board of selectmen's vote last week against hosting a casino project in Foxboro does not constitute a formal denial of the project in accordance with the state's newly-written gaming statute.
2012 Jan 6
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2012 Jan 5
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2012 Jan 4

Directed by Ben Bolt, Harold Becker
Produced by Martin Ransohoff
Written by Clark Howard, Robert Roy Pool
Starring Matt Dillon, Diane Lane, Tommy Lee Jones, Bruce Dern, Lee Grant
Music by Michael Melvoin, Frank Fitzpatrick (Music Editor)
Cinematography Ralf D. Bode
Editing by Stuart H. Pappé
Distributed by Columbia Pictures
Release date(s) September 25, 1987
Running time 109 min.
Country United States
Language English
Box office $1,733,000

The Big Town is a 1987 film drama about a young man who comes to the big city to work as a professional gambler, in the process becoming romantically involved with two women—one of whom is already married. The film was directed by Ben Bolt and Harold Becker and it stars Matt Dillon, Diane Lane, and Tommy Lee Jones.

Main cast

Actor Role
Matt Dillon J. C. Cullen
Diane Lane Lorry Dane
Tommy Lee Jones George Cole
Bruce Dern Mr. Edwards
Lee Grant Ferguson Edwards
Tom Skerritt Phil Carpenter
Suzy Amis Aggie Donaldson
David Marshall Grant Sonny Binkley
Don Francks Carl Hooker
Del Close Deacon Daniels
Cherry Jones Ginger McDonald
David James Elliott Cool Guy (as David Elliott)

Plot

In 1957, J. C. Cullen is a small-town crapshooter who heads to Chicago, Illinois to seek his fortune. There he becomes the pawn of two high-rolling professional gamblers, Mr. and Mrs. Edwards. He later gets mixed-up in a revenge scheme cooked up by Lorry Dane, the embittered stripper wife of strip-joint owner George Cole. Before he knows what’s happened, Cullen is embroiled in two torrid romances, one with Dane and the other with nice girl Aggie Donaldson; he also nearly loses his life by ending up in the middle of a deadly feud between Edwards and Cole.

Links

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.

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2012 Jan 4
Reuters - It's time to spy some fresh images of 007.
2012 Jan 3
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2012 Jan 1
Not everyone barred from entering a Pennsylvania casino committed a crime. In fact, most of those banned voluntarily added themselves to the list because of compulsive gambling problems.
2011 Dec 31
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2011 Dec 29
A proposal to build a Wynn Resorts Ltd. casino adjacent to Gillette Stadium in Foxborough, Mass., is facing an uncertain future after the town's Board of Selectmen voted to send a letter to governor's office and state gaming officials saying they don't
2011 Dec 29
AP - Jan. 1: Singer-guitarist Country Joe McDonald of Country Joe and the Fish is 70. Comedian Don Novello (Father Guido Sarducci) is 69. Actor Rick Hurst ("The Dukes of Hazzard") is 66. Country singer Steve Ripley of The Tractors is 62. Rapper Grandmaster Flash is 54. Actress Ren Woods is 54. Actress Dedee Pfeiffer ("Cybill") is 48. Actor Morris Chestnut ("The Brothers," "The Best Man") is 43. Actor Verne Troyer ("Austin Powers") is 43.
2011 Dec 28
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2011 Dec 27

LOS ANGELES, Dec. 20, 2011 /PRNewswire/ — IMAX Corporation (NYSE: IMAX; TSX: IMX) and Paramount Pictures today announced that Mission: Impossible – Ghost Protocol The IMAX Experience, earned approximately $14 million at the box office in IMAX® theatres worldwide during its opening weekend. Domestically, the film generated $10.5 million on 300 IMAX screens, for an IMAX per-screen average of $35,000. Internationally, it generated $3.4 million on 89 IMAX screens, for an IMAX per-screen average of $38,200. The film surpassed the previous December opening box office records set by Tron: Legacy. Mission: Impossible – Ghost Protocol The IMAX Experience is set to open on 112 additional IMAX® theatres in various territories, including China and the UK.

“Paramount leveraged an early release in IMAX as a key component of its marketing strategy for this film and based on this promising start we are enthusiastic that this approach will deliver,” said IMAX CEO Richard L. Gelfond. “Not only were the global IMAX grosses strong, but we were extremely effective in generating positive reviews, word-of-mouth and substantial social media buzz that we expect will continue to build strong demand for the film going into its wide release on Wednesday. We’re very grateful that we could repay Paramount’s confidence in IMAX by supporting the overall success of this incredible film and by playing a key strategic role in making this film an event that simply can’t be missed.”

“The one-two punch of The IMAX Experience coupled with the passionate filmmaking of Brad Bird, JJ Abrams and Tom Cruise is what differentiates this film from the rest of the pack,” said Greg Foster, Chairman and President, IMAX Filmed Entertainment. “The more than 30 percent uptick in box office from Friday to Saturday points to the growing momentum of the movie heading into its official opening. Given that this film set December records both domestically and globally for IMAX also shows that whether in 2D or 3D, audiences are drawn to a strong movie that features the IMAX DNA.”

The IMAX release of this fourth installment of Mission: Impossible features approximately 30 minutes of scenes filmed with IMAX cameras. Exclusively in IMAX, these sequences expand to fill the entire screen, and further immerse the audience in the explosive action and vast scope of the film. One featured sequence includes the unbelievable stunt performed by Tom Cruise as he scaled the world’s tallest building, the Burj Khalifa Tower in Dubai, providing an up-close, you-are-there experience as only IMAX can.

The IMAX release of Mission: Impossible – Ghost Protocol has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images coupled with IMAX’s customized theatre geometry and powerful digital audio create a unique environment that will make audiences feel as if they are in the movie.

About Mission: Impossible – Ghost Protocol
The IMF is shut down when it’s implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization’s name. No help, no contact, off the grid. Mission: Impossible – Ghost Protocol is directed by Brad Bird, in his live action film debut, and written by Josh Appelbaum & Andre Nemec and Christopher McQuarrie. Cruise, who produces the Mission: Impossible films, is joined by producers J.J. Abrams and Bryan Burk. The film will be co-financed by Skydance Productions. Jeffrey Chernov, David Ellison, Paul Schwake and Dana Goldberg are the executive producers.

About Paramount Pictures Corporation
Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (Nasdaq: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company’s labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

About IMAX Corporation

IMAX Corporation is one of the world’s leading entertainment and technology companies, specializing in the creation and delivery of premium, awe-inspiring entertainment experiences. With a growing suite of cutting-edge motion picture and sound technologies, and a globally recognized entertainment brand, IMAX is singularly situated at the convergence of the entertainment industry, innovation and the digital media world. The industry’s top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and as such, the IMAX network is among the most important and successful theatrical distribution platforms for major event films around the globe. The Company’s new digital projection and sound systems – combined with a growing blockbuster film slate – are fueling the rapid expansion of the IMAX network in established markets such as North America, Western Europe, and Japan, as well as emerging markets such as China and Russia. IMAX theaters deliver the world’s best cinematic presentations using proprietary IMAX®, IMAX 3D®, and IMAX DMR® (Digital Re-Mastering) technologies. IMAX DMR enables virtually any motion picture to be transformed into the unparalleled image and sound quality of The IMAX Experience®.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2011, there were 583 IMAX theatres (441 commercial multiplex, 23 commercial destination and 119 institutional) operating in 48 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience® and The IMAX Experience® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax),  Twitter (www.twitter.com/imax)  and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on IMAX management’s assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. Important factors that could affect these statements include, but are not limited to, general economic, market or business conditions, including the length and severity of the current economic downturn, the opportunities that may be presented to and pursued by IMAX, the performance of IMAX DMR films, conditions in the in-home and out-of home entertainment industries, the signing of theatre system agreements, changes and developments in the commercial exhibition industry, the failure to convert theatre system backlog into revenue, new business initiatives, investments and operations in foreign jurisdictions, foreign currency fluctuations and IMAX’s prior restatements and the related litigation. These factors and other risks and uncertainties are discussed in the Company’s most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

For additional information please contact:

Entertainment Media:
IMAX Corporation – Santa Monica
Rebecca Klein
310-255-5656
rklein@imax.com

Principal Communications Group, Los Angeles
Melissa Zukerman/Paul Pflug
323-658-1555
melissa@pcommgroup.com
paul@pcommgroup.com

Investors:
IMAX Corporation – New York
Heather Anthony
212-821-0121
hanthony@imax.com

Business Media:
IMAX Corporation – New York
Ann Sommerlath/Adam Davis
212-821-0155
212-821-0116
asommerlath@imax.com
adavis@imax.com

Sloane & Company – New York
Whit Clay
212-446-1864
wclay@sloanepr.com

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2011 Dec 27
Most of the time, I ignore casino-wide slot machine payback percentages. That slot machines at one casino return 92.5 percent of wagers to players while a competitor returns 93.1 percent doesn't yield much useful information.

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